Saturday 17 January 2015

What Blackhat Gets Right: A Chat With Former Hacker Kevin Poulsen

Back in Kevin Poulsen's hacker days, before he became writer and Wired editor, he pulled stunts like taking over the phone lines in a radio contest to win himself a Porsche, or breaking into the FBI's computer system when he ended up on the agency's Most Wanted list to change his physical description. He served a five-year sentence for his crimes. Now he's consulting for Hollywood hacker films.
Poulsen's story itself was not the inspiration for the film Blackhat; it came from Kingpin,Poulsen's 2012 account of Max "Vision" Butler, a white hat hacker who when released from an 18-month cybercrime sentence could no longer find proper employment and turned to the other side. Max Vision provided the framework for Hathaway, the hacker played by Chris Hemsworth (yes, the sexiest man alive) in Blackhat.
As we've pointed out before, Hollywood has a really hard time making hacking look interesting in a movie, and even harder time portraying it accurately. Blackhat comes about as close as anything we've seen before, and it wouldn't have done so without Poulsen's expert influence. We talked to him about the process.
Gizmodo: What do you think Blackhat got right, and what did it get more right than other computer crime movies in the past? And did it miss anything?
Poulsen: The biggest thing it got right was broadly the international nature of cybercrime—how a single attack can implicate so many countries. It's gonna go through a bunch of different servers, and it can be very hard to pin down who's behind it.
But that's something that hasn't really been done in movies before. Then we put a lot of work into finding plausible ways that malware and hosting arrangements and all these other things could be used to advance the plot and all of that I think turned out pretty nice.
It must have been hard to determine a way to show computer activity on a screen in a way that's exciting.


Yeah, well, he (director Michael Mann) did this great CGI at the beginning of the film. I had nothing to do with that, but that turned out really good. When I learned that he planned on trying to visualize a computer intrusion with graphics, I immediately thought of all these other movies where that's been done just horribly, and I voiced that concern and he wound up having this very specific plan to make it this very physical look. And I think he actually got the EDA file for an actual chipset and motherboard and put that right into the CGI, so it's actually very authentic.

http://gizmodo.com/what-blackhat-gets-right-a-chat-with-former-hacker-kev-1679728958

Friday 16 January 2015

Talking Bear Movie ‘Paddington’ Is So Good, It Makes Other Movies Look Silly [Movie Review]


Paddington movie review
Paddington is a PG-rated family film about a talking bear who moves from the jungles of Peru to London. That premise, based on a popular series of children’s book by Michael Bond, is obviously silly. Yet writer director Paul King‘s adaptation is so on the money, so well-done, so deceptively simple, heartfelt and flat-out entertaining, it make movies with far more plausible plots seem silly by comparison.
Below read the rest of our Paddington movie review, which talks about what the movie does right that others should take note of.
Paddington 3

Keep It Simple

Films these days are complicated. Two plus hours of plot upon plot, liberally illustrated with action scenes, trying to give theatrical audiences their money’s worth. Paddington gives people their money’s worth by being simple, direct and having a good story.
The film starts with a newsreel setting up a world where an English explorer travels to “Darkest Peru” on an expedition. There he finds a rare species of walking, talking bear. Fast-forward a few decades and those bears have had a kid (Paddington, voiced by Ben Whishaw) who is forced to move to London. Once in London, he has to find a home.
That’s it. That’s the story. The rest of the movie – which runs just under 90 minutes – follows Paddington and the London family (including Downton Abbey‘s Hugh Bonneville and Oscar nominee Sally Hawkins) trying to find a place for Paddington to live. It’s a simple story that rarely deviates from that goal, save for one or two fun little effects-driven action sequences.
Paddington Hugh Bonneville

Take Things Seriously

It would have been very easy for Paddington to waste half its run time with people in London scared of or confused by the sight of a walking, talking bear. In fact, that’s something you expect from a traditional movie. But that never happens in King’s film and that very important decision sets the tone for the entire movie.
By making the audience believe this world is totally fine with a bear who talks, it instantly sets the table for everything else. It’s fun, it’s a little irreverent, but it takes itself very seriously. There’s no ill will here. And there’s no awkwardness created by confused or evil human beings. Everyone is fine with a walking and talking bear, so the audience can be, too. Then we can just enjoy the ride, laugh at the jokes, and begin to fall in love with the characters in the film.
The one minor gripe with the film is King’s tone is so set, specific and lovely, those aforementioned effects-driven action sequences feel a bit out of place, but you understand and forgive their inclusion. This is a movie for kids after all.
Paddington Sally Hawkins

A Strong Family Dynamic

Even in the best family films of all time, the families at the center of the movie often break into factions. Maybe the kids versus the parents, the mom versus the dad, or everyone versus the mom. Once those films start to move along, you only see a few of those characters going on the adventure. In Paddington, while there is definitely a unique and rocky family dynamic, eventually it becomes a literal family adventure. The mother, father, daughter, son and even the housekeeper all team up to help Paddington in his quest to find a home.
How rare is that? To see a healthy family, with a singular goal, working together towards that goal throughout a movie? It’s so refreshing and surprising that it makes the film even more warm and inviting. That drive also sets up lots of funny jokes, and moments of redemption and drama, but everything has much higher stakes because the family is doing it together.
MOre info http://www.slashfilm.com/paddington-movie-review/

Aaliyah’s 36th Birthday — Celebrating The Fallen R&B Star


Getty

Cardale Jones staying at Ohio St.

CLEVELAND -- As Drake's "Started from the Bottom" blared from speakers, local public figures in suits glad-handed and Cardale Jones emerged 15 minutes late in a gray "12 Gauge Buckshot" T-shirt, this was a spectacle that the quarterback admitted didn't have to be.
The national championship-winning QB is going back to Ohio State. At least some of the few hundred people inside Ginn Academy's auditorium expected the opposite.
"I don't know why you guys made such a big deal," Jones said jokingly, minutes after bypassing the NFL draft late Thursday, the deadline for NFL hopefuls to declare. "Like I said, it was very simple for me."
The 6-foot-5, 250-pound redshirt sophomore teased NFL draft enthusiasts with the announcement of a 4 p.m. ET news conference, and he warned on social media that a "life-changing decision" was looming. Logic said Jones would test the NFL, which, according to Jones, had second-round or late-first-round potential based on feedback from Ohio State coaches and Ted Ginn Sr., for whom Jones' high school was named.
Sure, Jones left money on the table. For comparison, a late-second-round quarterback from last year's draft, New England's Jimmy Garoppolo, got a contract with $1.1 million guaranteed and a bonus of $853,744.
ones' name might never be hotter. He's fresh off a stellar three-game run through the Big Ten championship, Allstate Sugar Bowl semifinal and College Football Playoff National Championship Presented by AT&T, amassing 742 passing yards and six total touchdowns (one rushing) on the way to Ohio State's first title since after the 2001 season. Jones played in place of the injured J.T. Barrett, who played most of the regular season in place of preseason Heisman Trophy candidateBraxton Miller.
As of now, all are scheduled to return, which paints an explosive but muddled quarterback picture in Columbus.
Coach Urban Meyer, in an appearance on "The Late Show with David Letterman" that is scheduled to air Friday night, said nothing to clear it up.
"We're digging into some pretty serious stuff here," was all he would say when Letterman asked about the QB plans for 2015.
Ginn said a Thursday morning visit from Meyer and offensive assistants Ed Warinner and Tim Beck "meant a lot" to Jones. The visit lasted about an hour and a half, and helped Jones finalize his decision.
Jones wants to be an NFL quarterback but wants the "time to be right" -- he wants to be a college graduate first.
Ginn said the plan for Jones is to play one more year. Jones can earn his degree as a redshirt junior and technically would have another year of eligibility.
"After three games, [the NFL] was out of the question," Jones said. "A first-round draft pick means nothing to me without my education."
Then why hold a news conference if the decision was so clear-cut? The losing quarterback in the title game, Marcus Mariota, announced he was turning pro with a statement issued through the Oregon Ducks. Jones admitted on Twitter, before the news conference, that it had been a "long two days."
"Just to be the example for our community and the kids that's around here," said Ginn, father of NFL veteran Ted Ginn Jr., on why Jones made the announcement inside his high school. "This is his hometown that he's proud of."
The NFL had limited game video on Jones, but his athleticism and arm strength, among other traits, could have placed him in contention for the third quarterback spot in the draft behindJameis Winston and Mariota, both Heisman Trophy winners.
Now he returns to a lineup with no guarantees, but "a chance to compete," according to Ginn. Jones said Meyer was a "little shocked" when Jones told him he would be returning. Ohio State has three quarterbacks who could start for most power conference schools.
Meyer praised Jones' development in his interview with Letterman.
"[He is] an incredible case study of spirit and maturity level that he's come to," Meyer said. "You know, to think that he could bring us to a national championship, if you would have told me that two years ago, I would've disagreed with you."
Cardale Jones
AP Photo/Bill HaberCardale Jones says he's returning to the Buckeyes despite an unprecedented three-start run that culminated in a national title.
Jones said Meyer has made no assurances that he'll be the starter but looks forward to changing that with his offseason play.
"Hopefully I am the starter," Jones said. "If I'm not, I have to wait for the opportunity to present itself."
Jones will be hard to leave on the sideline, Ginn says -- and not just because of his recent three-game stretch.
"Urban knows he's got a diamond that's rare," Ginn said of Jones.
Jones doubts the Buckeyes can make it work with all three quarterbacks but added, "You never know with Urban Meyer."
Not everyone will understand Jones' decision.
"It's my life, and I have to live it, not them," Jones said.
Information from ESPN.com's Darren Rovell and Joe Schad contributed to this report.
http://espn.go.com/college-football/story/_/id/12173262/cardale-jones-ohio-state-buckeyes-says-staying-school

2015 Oscar nominations: Complete list; ‘Selma’ snubbed; ‘Birdman’ and ‘The Grand Budapest Hotel’ lead with nine

All of awards season has led up to this: The Academy Award nominations were announced Thursday morning in Los Angeles.
Director Wes Anderson has crossed over from art-house darling to academy favorite. The auteur’s offbeat dramedy “The Grand Budapest Hotel” scored nine nominations, equaling Alejandro González Iñárritu’s unconventional, genre-defying film, “Birdman,” for the most nominations.
The most obvious snub was “Selma,” Ava DuVernay’s moving biopic about Martin Luther King Jr. Despite a nod for best picture and best original song (for Common and John Legend’s recent Golden Globe-winning “Glory”), the film’s director and actors were shut out in their respective categories.  David Oyelowo missed out on a best actor nomination, but more surprisingly, Ava DuVernay was not acknowledged in the best director category, a nomination that would have been the first for an African American woman.
Nominations (by movie):
“Birdman” – 9
“The Grand Budapest Hotel” – 9
“The Imitation Game” – 8
“Boyhood” – 6
“American Sniper” – 6
“Whiplash” – 5
“Interstellar” – 5
“Foxcatcher” – 5
"Birdman" and "The Grand Budapest Hotel" lead the Oscar pack this year with the most nominations, and "Selma" is noticeably left out of some major categories. Here's what else you need to know about the 2015 Academy Award nominations. (Nicki DeMarco/The Washington Post)
The list of nominations for the 87th Academy Awards
Best Picture“American Sniper”
“Birdman”
“Boyhood”
“The Grand Budapest Hotel”
“The Imitation Game”
“Selma”
“The Theory of Everything”
“Whiplash”
Immediate reaction: The academy can nominate up to 10 movies, but stopped short with eight this year. Most of these are what the prognosticators expected — “Birdman,” “Boyhood,” “Selma,” and the big British biopics, “The Theory of Everything” and “The Imitation Game.” “The Grand Budapest Hotel,” which won a best picture award at the Golden Globes, is starting to look like an unstoppable force. And another indie director, Damien Chazelle, is getting lots of attention with his directorial debut, “Whiplash.” Movies that could have made the list but didn’t: musical “Into the Woods,” “Foxcatcher” (despite its directing nom), Angelina Jolie’s “Unbroken,” and “A Most Violent Year,” which was completely shut out.
Actor in a Leading RoleSteve Carell, “Foxcatcher”
Bradley Cooper, “American Sniper”
Benedict Cumberbatch, “The Imitation Game”
Michael Keaton, “Birdman”
Eddie Redmayne, “The Theory of Everything”
Immediate reactions: Hello there, Bradley Cooper. “American Sniper” didn’t get much love from the Golden Globes, but the academy was in a different frame of mind. Of course, that meant there was no space for David Oyelowo, who turned in a stunning performance as Martin Luther King Jr. in “Selma.” Both Keaton and Redmayne won acting awards at the Golden Globes — one for comedy, one for drama.
Actress in a Leading RoleMarion Cotillard, “Two Days, One Night”
Felicity Jones, “The Theory of Everything”
Julianne Moore, “Still Alice”
Rosamund Pike, “Gone Girl”
Reese Witherspoon, “Wild”
Immediate reaction: This list hews fairly closely to expectations. The biggest surprise is Marion Cotillard’s nomination. She edged out Jennifer Aniston, who was thought to have a shot for her buzzy performance in “Cake.” Amy Adams, who just won a Golden Globe for best actress in a comedy or musical, didn’t make the list either. Julianne Moore is the favorite here, playing a linguistics professor grappling with an early onset Alzheimer’s diagnosis.
Actor in a Supporting RoleRobert Duvall, “The Judge”
Ethan Hawke, “Boyhood”
Edward Norton, “Birdman”
Mark Ruffalo, “Foxcatcher”
J.K. Simmons, “Whiplash”
Immediate reaction: Again, no huge jaw-droppers here. These nominees are identical to the Golden Globes, with J.K. Simmons as a favorite; he just won the Globe for his maniacal role in “Whiplash.”
Actress in a Supporting RolePatricia Arquette, “Boyhood”
Laura Dern, “Wild”
Emma Stone, “Birdman”
Keira Knightley, “The Imitation Game”
Meryl Streep, “Into the Woods”
Immediate reaction: When Dern’s name was announced there were audible gasps — not to mention a few excited whoops. She played the effervescent mother to Reese Witherspoon’s lead in “Wild.” It was a great performance, though Patricia Arquette (who also played a single mom, in “Boyhood”) is the clear favorite.
DirectingAlejandro González Iñárritu, “Birdman”
Richard Linklater, “Boyhood”
Bennett Miller, “Foxcatcher”
Wes Anderson, “The Grand Budapest Hotel”
Morten Tyldum, “The Imitation Game”
Immediate reactions: Where are the women? There was talk of not one, but two women securing nominations in this category: Ava DuVernay for “Selma” and Angelina Jolie for “Unbroken.” Jolie’s movie didn’t get the praise that seemed assured prior to release, but DuVernay certainly deserved to be on this list. Miller’s nomination for “Foxcatcher” is the biggest surprise here; meanwhile, Anderson’s nod is his first ever directing nomination. He’s been previously nominated for best screenplay.
Animated Feature Film“Big Hero 6”
“The Boxtrolls”
“How to Train Your Dragon 2”
“Song of the Sea”
“The Tale of the Princess Kaguya”
Immediate reaction: The big surprise here is that “The LEGO Movie” wasn’t nominated. Instead of the blockbuster (“LEGO” had the fourth-highest domestic box office returns in 2014), the under-the-radar, yet-to-be-released “Song of the Sea” scored a nom.
CinematographyEmmanuel Lubezki, “Birdman”
Robert D. Yeoman, “The Grand Budapest Hotel”
Lukasz Zal and Ryszard Lynzewski, “Ida”
Dick Pope, “Mr. Turner”
Roger Deakins, “Unbroken”
Immediate reaction: Aside from sound editing and sound mixing, this was the only nomination for “Unbroken,” which will have a tough time overcoming stiff competition from “Birdman” and “The Grand Budapest Hotel.” It’s interesting that “Mr. Turner” got so many nominations, although not the one some expected — Timothy Spall for best actor. It’s also interesting to see a foreign film in the mix with the black-and-white “Ida.”
Costume DesignMilena Canonero, “The Grand Budapest Hotel”
Mark Bridges, “Inherent Vice”
Colleen Atwood, “Into the Woods”
Anna B. Sheppard, “Maleficent”
Jacqueline Durran, “Mr. Turner”
Immediate reaction: This is the only nomination “Maleficent” managed to score and, while the costumes were extravagant, the movie is hardly a sure thing to win against the likes of “The Grand Budapest Hotel” and “Into the Woods.”
ocumentary Feature“Citizenfour”
“Last Days in Vietnam”
“Virunga”
“The Salt of the Earth”
“Finding Vivian Maier”
Immediate reaction: “Citizenfour,” Laura Poitras’s thrilling documentary about Edward Snowden, was a sure bet. The academy also showed love for Rory Kennedy’s documentary about the fall of Saigon, “Last Days of Vietnam,” and the universally-praised “Virunga.” If there’s a snub to be found, it’s for “Life Itself,” the much-praised doc about Roger Ebert.
Documentary Short Subject“Crisis Hotline: Veterans Press 1”
“Joanna”
“Our Curse”
“The Reaper”
“White Earth”
Film EditingJoel Cox and Gary Roach, “American Sniper”
Sandra Adair, “Boyhood”
Barney Pilling, “The Grand Budapest Hotel”
William Goldenberg, “The Imitation Game”
Tom Cross, “Whiplash”
Immediate reaction: Most of “Birdman” looked like it was filmed in one long take. It wasn’t; that was the magic of smart cuts and good editing, but that magic (by editors Douglas Crise and Stephen Mirrione) was not recognized by the academy. Instead, “Boyhood” leads the charge with Sandra Adair nominated for piecing together a story that was shot over 12 years.
Foreign Language Film“Ida”
“Leviathan”
“Tangerines”
“Wild Tales”
“Timbuktu”
Immediate reaction: It’s sad to see no mention of “Force Majeure” on this list, though these are worthy contenders. The Russian film “Leviathan” took home the Golden Globe on Sunday, but the Polish drama “Ida” has a good shot at the Oscar, with a 1960s-era story of an aspiring nun who finds out her family was Jewish.
Makeup and HairstylingBill Corso and Dennis Liddiard, “Foxcatcher”
Frances Hannon and Mark Coulier, “The Grand Budapest Hotel”
Elizabeth Yianni-Georgiou and David White, “Guardians of the Galaxy”
Immediate reaction: Will it be Steve Carell’s prosthetic nose in “Foxcatcher” or an unrecognizable Tilda Swinton under an aged face in “The Grand Budapest Hotel”? Those jobs seem somewhat less onerous than covering Dave Bautista’s many muscles in green and red to transform him into Drax in “Guardians of the Galaxy.”

Music – Original ScoreAlexandre Desplat, “The Grand Budapest Hotel”
Alexandre Desplat, “The Imitation Game”
Hans Zimmer, “Interstellar”
Gary Yershon, “Mr Turner”
Jóhann Jóhannsson, “The Theory of Everything”
Immediate reaction: Lots of love for the prolific Desplat, who could have been nominated for three movies (he also did great work on “Unbroken”). Jóhannsson won the Globe on Sunday for his work on “The Theory of Everything,” though Zimmer certainly has a shot for his impossible-to-miss music in “Interstellar.” Trent Reznor and Atticus Ross had a shot at making the list for “Gone Girl,” but “Mr. Turner” popped up instead.
Music – Original Song“Everything Is Awesome” by Shawn Patterson, “The LEGO Movie”
“Glory” by Common and John Legend, “Selma”
“Grateful” by Diane Warren, “Beyond the Lights”
“I’m Not Gonna Miss You” by Glen Campbell and Julian Raymond, “Glen Campbell: I’ll Be Me”
“Lost Stars” by Gregg Alexander and Danielle Brisebois, “Begin Again”
Immediate reaction: This was one of only two nominations for “Selma.” The nom for “Beyond the Lights” is a pleasant surprise. It was a great movie that far too few people saw.
Production Design“The Grand Budapest Hotel,” Production design: Adam Stockhausen, Set Decoration: Anna Pinnock
“The Imitation Game,” Production design: Maria Djurkovic, Set Decoration: Tatiana Macdonald
“Interstellar,” Production design: Nathan Crowley, Set Decoration: Gary Fettis
“Into the Woods,” Production design: Dennis Gassner, Set Decoration: Anna Pinnock
“Mr. Turner,” Production design: Suzie Davies, Set Decoration: Charlotte Watts
Immediate reaction: “Into the Woods” was shut out of the best picture category and Timothy Spall failed to secure a nomination for his impressive acting in “Mr. Turner,” but both movies landed here, and deservedly so.
Short Film – Animated“The Bigger Picture,” Daisy Jacobs and Christopher Hees
“The Dam Keeper,” Robert Kondo and Dice Tsutsumi
“Feast,” Patrick Osborne and Kristina Reed
“Me and My Moulton,” Torill Kove
“A Single Life,” Joris Oprins
Short Film – Live Action
“Aya,” Oded Binnun and Mihal Brezis
“Boogaloo and Graham,” Michael Lennox and Ronan Blaney
“Butter lamp,” Hu Wei and Julien Féret
“Parvaneh,” Talkhon Hamzavi and Stefan Eichenberger
“The Phone Call,” Mat Kirkby and James Lucas
Sound Editing“American Sniper,” Alan Robert Murray and Bub Asman
“Birdman,” Martín Hernández and Aaron Glascock
“The Hobbit: The Battle of the Five Armies,” Brent Burge and Jason Canovas
“Interstellar,” Richard King
“Unbroken,” Becky Sullivan and Andrew DeCristofaro
Immediate reaction: Despite some complaints about the epic volume levels of “Interstellar,” Christopher Nolan’s movie managed to score nominations for both sound editing and sound mixing. This was the only nomination for Peter Jackson’s final (we think…?) “Hobbit” installment.
Sound Mixing“American Sniper,” John Reitz, Gregg Rudloff and Walt Martin
“Birdman,” Jon Taylor, Frank A. Montaño and Thomas Varga
“Interstellar,” Garry A. Rizzo, Gregg Landaker and Mark Weingarten
“Unbroken,” Jon Taylor, Frank A. Montaño and David Lee
”Whiplash,” Craig Mann, Ben Wilkins and Thomas Curley
Visual Effects“Captain America: Winter Soldier,” Dan DeLeeuw, Russell Earl, Bryan Grill and Dan Sudick
“Dawn of the Planet of the Apes,” Joe Letteri, Dan Lemmon, Daniel Barrett and Erik Winquist
“Guardians of the Galaxy,” Stephanie Ceretti, Nicolas Aithadi, Jonathan Fawkner and Paul Corbould
“Interstellar,” Paul Franklin, Andrew Lockley, Ian Hunter and Scott Fisher
“X-Men: Days of Future Past,” Richard Stammers, Lou Pecora, Tim Crosbie and Cameron Waldbauer
Immediate reactions: This is the one category that consistently shows love for the blockbuster action and superhero movies, and this year was no exception. This was one of two nominations for “Guardians of the Galaxy,” the biggest moneymaker of 2014, which also happened to be well-liked by critics. “Transformers” had a rough week. This was the only real Oscar hope for the fourth installment of “Transformers,” and the movie led the Razzie nominations, which were announced earlier this week.
Writing – Adapted ScreenplayJason Hall, “American Sniper”
Graham Moore, “The Imitation Game”
Paul Thomas Anderson, “Inherent Vice”
Anthony McCarten, “The Theory of Everything”
Damien Chazelle, “Whiplash”
Immediate reaction: “The Imitation Game” and “The Theory of Everything” were sure to make the list, and “Whiplash” certainly deserves a spot. “Inherent Vice” was more of a wild card, with Paul Thomas Anderson’s occasionally (and intentionally) nonsensical adaptation of a loopy Thomas Pynchon novel.
Writing – Original ScreenplayAlejandro González Iñárritu, Nicolás Giacobone, Alexander Dinelaris and Armando Bo, “Birdman”
Richard Linklater, “Boyhood”
E. Max Frye and Dan Futterman, “Foxcatcher”
Wes Anderson and Hugo Guinness, “The Grand Budapest Hotel”
Dan Gilroy, “Nightcrawler”
Immediate reaction: “Boyhood” and “Birdman” were locks, and the latter just won the Golden Globe. This seemed like a good place for “A Most Violent Year” to land with J.C. Chandor’s clever subversion of “Godfather”-style crime dramas. Instead, Dan Gilroy’s creepy “Nightcrawler” made the list.
http://www.washingtonpost.com/blogs/style-blog/wp/2015/01/15/2015-oscar-nominations-complete-coverage/

What Martin Luther King Jr. Was Like as a Child

Remembering his youth on what would have been his birthday

First, he was named Michael. Though Martin Luther King Jr. Day will be observed in the United States on Jan. 19 this year, it was on Jan. 15, 1929, thatMichael Luther King, Jr., was born. As TIME recounted in a 1957 profile of the Civil 
Martin Luther King Jr
Dr. Martin Luther King, Jr. speaking before crowd of 25,000 on March 25, 1965 in Montgomery, Ala.Rights leader, he was six when his father — a pastor in Atlanta — decided that the two should switch out their first names for Martin, in honor of Martin Luther, the priest who brought about the Protestant Reformation. His childhood home (a two-story yellow brick house, according to TIME’s profile) was a religious one, where the younger Martin would recite from the Bible at dinnertime.
The early article provides a rare glimpse at how the leader was discussed before he was known throughout the world.
And, even if he didn’t always want to be a minister, it’s clear that his childhood shaped the rest of his life
From his earliest memory Martin King has had a strong aversion to violence in all its forms. The school bully walloped him; Martin did not fight back. His younger brother flailed away at him; Martin stood and took it. A white woman in a store slapped him, crying, “You’re the [n—-r] who stepped on my foot.” Martin said nothing. Cowardice? If so, it would come as a surprise to Montgomery, where Martin Luther Kinghas unflinchingly faced the possibility of violent death for months.
The shabby, overcrowded Negro schools inAtlanta were no match for the keen, probing (“I like to get in over my head, then bother people with questions”) mind of Martin King; he leapfrogged through high school in two years, was ready at 15 for Atlanta‘s Morehouse College, one of the South’s Negro colleges. At Morehouse, King worked with the city’s Intercollegiate Council, an integrated group, and learned a valuable lesson. “I was ready to resent all the white race,” he says. “As I got to see more of white people, my resentment was softened, and a spirit of cooperation took its place. But I never felt like a spectator in the racial problem. I wanted to be involved in the very heart of it.”
As a kid, in the classic tradition of kids, Martin wanted to be a fireman. Then, hoping to treat man’s physical ills, he planned to become a doctor. Becoming more deeply engrossed in the problems of his race, he turned his hopes to the law because “I could see the part I could play in breaking down the legal barriers to Negroes.” At Morehouse, he came to final resolution. “I had been brought up in the church and knew about religion,” says King, “but I wondered whether it could serve as a vehicle to modern thinking. I wondered whether religion, with its emotionalism in Negro churches, could be intellectually respectable as well as emotionally satisfying.” He decided it could—and that he would become a minister.
http://time.com/3660258/mlk-childhood/
Stephen F. Somerstein—Getty Images